Although this blog focuses more on the underlying right in songs (as opposed to the sound recording right), in reviewing the 2015 (second quarter) report from SoundExchange on who SoundExchange is collecting from, I noticed that SoundExchange collects from Mixcloud, but not from SoundCloud. Mixcloud and SoundCloud are both technology companies that have basically similar interfaces for the listener. So, what gives?
Maybe not a coincidence then, that Billboard reports that SoundCloud has been sued by PRS for Music (the British performing rights organization) over the issue of SoundCloud not obtaining a license to play the songs of PRS for Music-registered artists. And SoundCloud has been, is, and probably will be in negotiations with large publishers for direct licensing (and payment for) the privilege to play the sound recordings in the catalogs of those publishers.
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Currently, SoundCloud is a “bigger” technological “platform,” in terms of the number of users. But Mixcloud seems to have the right idea.
